Showing posts with label historical fantasy. Show all posts
Showing posts with label historical fantasy. Show all posts

Tuesday, January 29, 2013

Visit the German Borderlands in Rennefarre

Today we visit the borderlands of East Germany in a modern translation of a wonderful piece of children's and young adult literature - Rennefarre.  This fantasy piece combines the feel of classic literature with the rich characterization and setting of fantasy ala The Hobbit.  It is my pleasure to bring this story review to you.

Book Summary:
Imagine riding on the back of a blue heron across time and space. Imagine befriending crows, being kidnapped by magpies, and being given a lift on the back of a kindly stag. Imagine experiencing life as an outcast from human society, encountering spirits and mythical creatures from the world of legends, experiencing the plague in Dresden, and being chased through Berlin by Frederick the Great.

Dott is a twelve-year old girl. She lives in the countryside east of Berlin in an unspecified time between the two world wars. When Dott sneaks out to see the bonfire at the edge of her village on the evening of the midsummer night festival, she has no idea what will happen next. In the dark of night, the magical Rennefarre flower falls into her shoe. It not only makes her invisible, but also allows her to see things no one else could see. No longer able to stay with her parents and her young brother and sister, she begins her search to find a way out of her predicament.

Her quest to return home to her family winds its way through the cities and countryside of 20th century Germany—and beyond. As she befriends the local animals, they help her on her way with gifts of food, shelter, and—through the help of a kind spirit—a magical cup which allows her to become small and ride on the backs of the birds.

Flying across the country on the backs of crows and herons, Dott finds herself seeing the country not only as it is, but also as it used to be. She lives through moments in history others can only read about—meeting historical kings and fanciful spirits along the way. But, even with all of the excitement of her travels, she always has one goal in mind: returning home to her family.

Part coming-of-age story, part fantasy, and part social-cultural portrait of Eastern Germany in the early part of the 20th century, the book covers real ground. That is, one could follow Dott's travels on a map of the area. Seamlessly blending elements of fantasy and history, the book contains a fascinating array of details of day-to-day life in rural and urban areas in eastern Germany. Dott’s adventures are interwoven with folklore and myths as well as vivid accounts of different eras and the diverse cultural and ethnic strains that have formed the basis for a rich and complex history of Germany and Eastern Europe. Written on the eve of World War II, the book offers a sobering perspective on the human potential for causing devastation. At the same time it is filled with hope. In one scene, Dott gets a glimpse of the future — an utterly destroyed cityscape; it inspires her to look to her own responsibilities and actions in life.

My Review:
This book was truly a pleasure to read.  The original German was written prior to the events surrounding World War II and the storyline reflects the damage we humans are capable of with one another as well as the effects on the world and creatures around us.  It reads like a classic piece of literature, slowly building the characters, setting, and events that lead to the heart of the storyline.  Understand this going into Rennefarre.  It is a disappointment that so many people of our world today don't have the patience to stick with a rich story long enough to allow it to touch the heart and soul. 

Dott is a young girl who disobeys her parents then finds herself enchanted on the evening of the summer solstice when the rennefarre flower finds its way into her shoe, turning her invisible to all around her and driving her from her family and village.  However, she has been granted the opportunity to understand the speech of birds and animals, see other enchanted humans and creatures, and to assist all enchanted creatures and animals alike.

Through her enchanted state, Dott is able to see the magical and mystical and even travel through time to see how Germany was inhabited, fought over and conquered, and how she can help those on whom she has come to depend. 

Gurian, the heron, comes to her aid after she saves the life of one of his young.  Cornix, the old and wise crow, is one of the first to befriend her in her lonely state.  But Pica Pica, the magpie, is waiting in the wings to wisk her away out of spite from her new-found friends.  Through all of her travels in the air and through time, Dott begins to understand her responsibilities and the responsibility all humans have to care for one another and the earth around us.

She places herself in danger to save those she comes to care for.  Dott also seeks the cure for her baby sister, who has long been ill and is in danger of dying.  Because of her ability to learn the importance of responsibility for oneself as well as others, she just might be able to find her way back to her family and her normal human way of life.  But to do so, she will lose the ability to talk to the animals and see the fire sprite and other enchanted beings.

There were times in reading the historical references where I wanted to pick up another history book and start researching again.  It really spoke to my penchant for history and might pique the interest of other young souls to explore the topic.  The settings were beautifully portrayed and the proud heron, Gurian, you felt so sorry for when he lost his family.  The story, however, never devolved into a rant against the human race - quite the contrary.  It spoke to the possibility of every single human soul toward the ability of greatness.  Makes me think of the line from Spiderman - with great power comes great responsibility.

And Rennefarre displayed that wonderfully for all to read.

Follow the Tribute Books blog tour at:

http://rennefarre.blogspot.com/
Malve von Hassell's Bio:
Malve von Hassell is a freelance writer, researcher, and translator. She holds a Ph. D. in anthropology from the New School for Social Research. Working as an independent scholar, she published several books and journal articles, in particular, The Struggle for Eden: Community Gardens in New York City (Bergin & Garvey 2002) and Homesteading in New York City 1978-1993: The Divided Heart of Loisaida (Bergin & Garvey 1996). She has also edited her grandfather Ulrich von Hassell's memoirs written in prison in 1944, Der Kreis schließt sich - Aufzeichnungen aus der Haft 1944 (Propylaen Verlag 1994). She has taught at Queens College, Baruch College, Pace University, and Suffolk County Community College, while continuing her work as a translator and writer. She has published a children’s picture book, Letters from the Tooth Fairy (Mill City Press, 2012), and completed a manuscript for a historical fiction book set in the 13th century for young adults, Falconello. She is working on a historical fiction novel set in Jerusalem in the time of the crusades.  Visit her website at http://www.malvevonhassell.com/

Price/Format: $13.99 paperback
Publisher: Two Harbors Press
ISBN: 9781938690389
Pages: 297
Release: December 11, 2012

MyBookOrders.com buy link ($13.99):
https://secure.mybookorders.com/order/malve-von-hassell

Thursday, April 26, 2012

Fantasy Author Rachael Pruitt Visits

Today is a great day, because I bring to you fantasy author, Rachael Pruitt.  Ms. Pruitt is currently in a series of historical fantasy novels based on the Arthurian legend, specifically following the life of Guinevere.

I say a great day because even though I write mostly thriller and suspense, my first love for reading is the fantasy genre.  I look forward to reading Ms. Pruitt's current novel, THE DRAGON'S HARP.  For the historical fantasy lovers in our audience, I think you will also when we are done.  So without further audieu, please welcome Ms. Rachael Pruitt!

DAB:  Tell us about the time when you first realized you wanted to be a published author.

RP:     D.A. I believe I've wanted to be a writer ever since I was a little girl & wrote my first short story in 5th grade.  The story, as I recall, was composed in a rather boring geography class, and was all about a girl who had to save her family from a vicious tribe of cannibals.  She didn't succeed, I'm afraid.  But this whetted my appetite for tragedy & I immediately saw myself being interviewed by thousands of reporters & being allowed to cast Natalie Wood (then very much alive & beautiful) in the title role.

It was only recently, that I realized reporters would not be beating my door down just because I've published a novel!  It's been a real shock - but I'm coping :)

DAB:  Do you have a daily writing regimen, and if so, please tell us about it.

RP:     My traditional writing regime, when I'm working weekdays, is to wake up at least 2 mornings a week at the ungodly hour of 4 am, set a hidden alarm, & write for 2 hours.  This way, I feel as if I'm staying on track as a writer--but not totally killing myself by rising every morning before the roosters.  I then commit one segment of time every weekend (a morning or an afternoon) to do some more writing--without having to worry about a hidden alarm going off and ruining my train of thought!

I do want to add to your readers, D A, that, in my opinion, a writing schedule is a very individualized choice.  Some of us are night owls, some are morning larks.  The point is to 1) create a schedule or framework that works for you 2) experiment until it really works & is comfortable & realistic for you and 3) stick with it.  The third point is probably the most important of all--aspiring writers must have some commitment to setting consistent time aside to write--even if it's only a few hours a week to start.  Otherwise you'll never get past the starting line.

DAB:  Great advice!  So where do you come up with ideas for your novels?

RP:     One of my characters in "Dragon's Breath" (my next novel) says, "Stories are carried 'beneath the wind'".  And I agree.  To me, the world is filled with a never ending flow of ideas, characters, & situations that just beg to be put into novels, poems, & short stories.  As novelists, and as artists, we simply need to know how to reach for them & mold them in our own voice.

To be a little more specific:  My Arthurian novels, (5 in all, beginning with "Dragon's Harp"), represent my lifelong passion for all things Arthurian--most especially Gwenhwyfar & Merlin.  I also have several more epic fantasy books in mind, and one historical set in the Biblical Era.  These novels have all sprung from my childhood fascination with myths, legends & ancient history.

My additional writings tend to be memoir-based--I love being funny too--so chick lit's another genre I plan to explore!

So what do all these ideas & genres have in common?  I love people & have great admiration for women & men who consistently surmount all kinds of obstacles.  I'm also a keen observer of people & love to laugh and have fun, at the same time honoring our very human struggle to survive, to love, & to stand up & protect what we cherish.  These themes and this admiration find their way into all of my writing.

If you're ever stuck looking for ideas--just visit a grocery store on Saturday morning--or sit in a coffee shop or restaurant.  Take a local bus, eavesdrop on the beach...you get the idea.  Bring a notebook with you at all times...trust me, you'll have plenty of ideas!  Just listen & observe...

DAB:  Have you ever experienced writer's block?

RP:     Only when I allow myself to!  To me the best & most effective way to beat writer's block is to sit down & write--even if what you come up with initially is total crap.

D A, I truly believe writers' block happens when writers become afraid that what they produce won't be "good enough"--so they talk themselves out of writing one way or another.  This can take the form of procrastination, distraction, the "I'm too busy" excuse, and so on.  Bottom line is we--as writers--become afraid we're not "good enough"--and so we don't try.  Just keep writing when this happens--don't give in.  Also, for a good "pick-me-up" go to inspirational books such as Julia Cameron's wonderful THE ARTIST'S WAY, indulge yourself in a subscription to a publication like "The Writer", and invest in good books on the craft of writing.  Read these types of resources--or speak with a good friend (preferably another writer that you trust) if you find yourself "blocked".

I've been there & for me, the one thing that helps, above all, is to continue to write--and shut off any negative "self-talk" while you're at it!

DAB:  So true, Rachael!  So the next question is the eternal debate - outline or no outline when writing?

RP:     I believe this is another strictly individual choice that every writer decides for her or himself.  I am not an outliner--however I do write overall summaries of where I think my novel will go--I'm constantly surprised, of course!  I do, however, like to have an "organic plan".

I believe the only thing to watch out for, if you do choose to outline, is to make sure you don't make the mistake of forcing the characters to stick to your "outline" rather than adjusting your preconceived ideas to characters & plot twists that develop as a natural part of the magic you are creating on the page.

DAB:  Do you have a favorite character in THE DRAGON'S HARP?

RP:     Shh!  Merlin is certainly in the running :-) But this question is like asking me to pick a favorite kid--sorry D A, I just can't bring myself to choose!

DAB:  LOL!  Well then, do you have favorite authors you like to read and who have inspired you in your own writing?

RP:     Probably my all-time favorite author is Anya Seton (now deceased).  Her novel, GREEN DARKNESS, about star-crossed Tudor lovers reincarnated in the present (the 1968 present that is), may sound "old hat" now--but it was the first novel of its kind when it was first published in the early 70's.  GREEN DARKNESS remains one of the most haunting & powerfully written love stories I've ever read.  Other writers who have inspired me are fantasy author Charles de Lint, the early works of Stephen King, and historical novelists Sharon Kay Penman, Jules Watson, Pauline Gedge, & Donna Gillespie.

All these authors share three things in common that I've attempted to emulate in my own work:  fantastic characters, gripping plots, & a fantastic instinct for pacing.

DAB:  When I write, I have particular composers and music that gets me in the mood for certain scenes and characters.  Have you ever written to music?

RP:     Great question!  Sometimes I do like to listen to soft Celtic harp music as I write--nothing too distracting.  And, like you, D A, I often listen to music to get myself in the mood.  While writing "Harp", I discovered that when I was approaching a particularly tough scene, listening to the music of Loreena McKennitt, and the musical themes from Braveheart, Rob Roy, Lord of the Rings, &--of course--King Arthur :-) beforehand really helped.  Those themes & Loreena's beautiful voice & instrumentals really conjured the "Celtic grandeur" necessary for me to approach the toughest scenes in my novel.

DAB:  I saw on your blog the story about how THE DRAGON'S HARP first came into being on a beach twenty-five years ago.  Once you sat down to write, how long did it take to complete?

RP:  Once I really "got serious" about "Harp", D A, it still took me about 7 years, including research, to complete.  I don't anticipate taking so long with my upcoming novels!  For one thing, the original research I did for "Harp" regarding Arthurian lore and ancient Celtic & Welsh history and culture should hold me in good stead for its sequels.  I also feel a lot more confident as an author regarding plot and character development.

DAB:  So on that note, now's your chance - give us your fabulous plug for THE DRAGON'S HARP.

RP:     Thank you, D A:  Readers:  Here goes :-) :

"Before Gwenhwyfar became Queen--before Arthur met Merlin--a tribal Welsh princess met a young Heatherlands Mage.  Together, they will create a legend.

Inside a mist of beauty and brutality waits the Arthurian legend as you've never heard it before.  Enter the world of The Dragon's Harp, a realm of blood lust and vengeance, of spellbinding magic from the beginning of time.  The realm of Princess Gwenhwyfar:  a young girl torn between magic and desire, born with magical powers she can either wield to save her people from destruction--or deny to save her soul. 

First in a five book series of historical fantasy, Rachael Pruitt's unique take on a beloved legend reintroduces the mythic characters of Gwenhwyfar, Merlin, and Vortigern against the gritty backdrop of sixth century Wales, where scenes of shape-shifting and heartbreaking romance vie with torture, murder, and battle in a dragon-haunted land."

"From the first page I was drawn deep into Pruitt's beautifully-realized Celtic realm, so vivid I felt as if I'd stepped right into the tale and could not only see but smell, taste, and touch her creation. With shades of The Mists of Avalon, the story is a magical blend of Welsh and Arthurian myth, thrilling adventure, romance, and otherworldly enchantments - while also managing to be funny, earthy and believable. All the characters are so vividly rendered they soon lay siege to your heart, and you find yourself loving them, rooting for them, terrified for them, and utterly captivated by them.

The child Gwenhwyfar is brave and spirited, sensitive to the mysterious otherworld of goddess rituals, druids and dragons that lie just beyond the more brutal reality of her father's warriors and their bloody swords. The story leaves her as a teen coming into her powers - and under the spell of first love. I can't wait to see the woman she will become in future books. Bravo!"     
-----Jules Watson, bestselling author of The White Mare Trilogy, The Swan Maiden, and The Raven Queen


     Rachael Pruitt is a gifted storyteller, able to create vivid, three-dimensional characters in prose that is, by turns, lyrical and powerful.  Readers who enjoyed the novels of Parke Godwin, Persia Woolley, Rosemary Sutcliff, and Marion Zimmer Bradley will love The Dragon’s Harp, in which Gwenhwyfar comes of age; best of all there are four more books to come…     
  ---Sharon K. Penman, New York Times Bestselling author of Lionheart, Here Be Dragons, & Time and Chance


"Rachael Pruitt is a natural story teller, and her love of the Guinevere character shines through every page of The Dragon’s Harp. It's a pleasure to discover her take on this very old story."
                   --Persia Woolley, author of The Guinevere Trilogy.


The Goddess is most definitely afoot in this engrossing novel by author Rachael Pruitt. The Dragon's Harp courageously depicts the roles of mothers, daughters, queens, and priestesses in a time when men fought battles while women abided by a far more ancient law. The tale is woven with lyrical language that resounds with the hills, trees and rocks of a land where the mist between worlds falls easily away--one small step beyond a fairy stone.  
       Ms. Pruitt masterfully guides her reader through not only a mystical retelling of the Arthurian legend, but educates us with her historical expertise of the time.  Her attention to detail drowns our senses into this world where kings rule the land, but the land and all who live on her ultimately answer only to the Goddess.  I cannot recommend this novel highly enough.  Ms. Pruitt is a gifted storyteller with a powerful story to tell.
                                                              - Molly Padulo, writer and shamanic healer


And there we have it, dear readers!  Thanks again to Rachael for visiting the blog and for the great advice to our fellow writers out there.  I particularly could relate to the section where she mentioned the writer's block, as I too recently procrastinated writing a particular scene because I was sending a character to a place of which I'd only read and never visited.  The possibility of screwing it up had my confidence in the proverbial toilet and made wanting to write it daunting indeed.

For our historical fantasy readers in the audience, be sure and pick up a copy of THE DRAGON'S HARP and also contact Rachael Pruitt via her website, Facebook, and Twitter pages below.  Enjoy!

Rachael Pruitt is a writer, storyteller, and teacher with a lifelong fascination for Celtic mythology and the Arthurian legend.  Her Arthurian poetry has been published in Paradox magazine (2008 and 2009) and her article “To Dream a Dragon” appeared in the award-winning 2011 writing anthology, Many Genres, One Craft.  She has also published nonfiction articles detailing, “Myths for Our Time”©, a personal mythology process she developed while an Artist in Residence in the Pacific Northwest.  The Dragon’s Harp is her first novel, and the first in a projected series of five books following the life of Gwenhwyfar, King Arthur’s famous Queen.  You can also visit her on her blog tour below: