Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Friday, September 23, 2016

Interviewing Bestselling Author Elle Casey - Part One

Have I got a real treat for you today, dear readers!  I stumbled upon Elle Casey during one of her freebie promotion days for her sci-fi space opera adventure series DRIFTERS' ALLIANCE (read my review HERE).  It was such an enjoyable read, I quickly downloaded books two and three in the series and devoured them.  Her characters are rich.  They're flawed.  They have pasts, presents, and are dreaming of futures yet to be realized - and I can hardly wait to jump back on board the spaceship DS Anarchy for additional adventures with Captain Cass and Company.

While I was in full geek-out mode, I took a chance and contacted Elle through her website (www.ellecasey.com) to see if she'd be willing to let me interview her for the blog - and she graciously agreed, answering not just some but all of my questions.  Thus, please join me today for part one of this interview and get to know bestselling author, Elle Casey.

DAB:  Welcome, Elle!  You’ve been an attorney, a teacher, and now a bestselling author.  Tell us a little of what the progression was like through your various careers, and how it prepared you for the life you’re living as an author today.

EC:    I’m the kind of person who gets interested in a particular topic or subject and then I research the heck out of it. And if it interests me beyond that, sometimes I turn it into a career. I've done that several times, in fact. (stock broker, insurance sales, restaurateur, medical devices, etc.) But I'm also the kind of person who, once I have mastered something, I get bored with it. That goes for jobs and it also goes for places where I live. So I guess you could say I've been a bit nomadic in both my work and private lives. Most of my life, the people who love me would make offhand comments about me being flaky (“She can’t settle down, she’s always starting something new.”) But as it turns out, this kind of life can turn a person into a great storyteller. I've met many kinds of people, I've worked in a lot of different environments, and I've lived in a lot of places. You will see bits of that in all of the books I write.

DAB:  Well here's one reader that hopes you won't give up this particular writing career anytime soon.  You’re an American living in France.  How did you arrive at the decision to make the move, and did moving to France influence your decision to pursue a novel writing career?

EC:    My husband and I decided to take a one year timeout with the kids so that we could all learn about another culture and take a break from the rat race. But once we were here, we didn't want to leave. So that put me in the position of having to figure out a way to make a living here. At first, I was working as a teacher, but as everybody knows, teacher salaries aren't so great. Self-publishing came along at just the right moment.

DAB:  I come from a family full of teachers, so I can definitely appreciate that aspect.  Was it exciting, frightening, nerve-wracking, or simply business-as-usual to move from the corporate/business environment to self-publishing?

EC:    It was just plain exciting! I did it while I was also working as a teacher, so I had nothing to lose and everything to gain by trying.

DAB:  So I guess we could say teaching was your transition career between being an attorney and an author.  So at this point, which of your novels is your favorite?

EC:    They all take a piece of me to put together and they all pull from my life or my history in one way or another. My favorite might be Apocalypsis because I dreamed of a post-apocalyptic world often as a teen, wondering what I’d do to survive. I also love War of the Fae because the characters are so crazy and I adore supernatural stuff. There will always be a part of me that believes vampires, witches, elves, and fairies exist here with us. No one will ever be able to convince me they don’t.

DAB:  Maybe they're all part of that world in a galaxy far, far away. Speaking of other galaxies, I’ve read your DRIFTERS’ ALLIANCE series and loved the three books thus far.  Where did the germ that sprang into the idea for this series come from?

EC:    I’m a big fan of the television series Firefly. My husband and I were always looking for something similar on TV, but there's not much out there. So, I decided to write my own story. I would love to see it on television one day.

DAB:  Me too!  Total Firefly geek. Personally, I'd love to see your DA novels become the next space opera TV series.  Now who would play the ginger twins???

But sci-fi aside, you write in a broad category of other genres such as romance, mystery, etc.  Have you experienced unexpected challenges to writing under and juggling so many hats?

EC:    I write in several genres including action-adventure, contemporary urban fantasy, romance, romantic thriller, paranormal, paranormal romance, science fiction, and post-apocalyptic dystopian fiction. I really believe there are no genre or subject matter limits to what indie authors can publish. Indies can write in any genre, and that work will be accepted by readers around the world. In fact, I believe that indie writing lends itself to a much broader spectrum of fiction than what has been accepted by the traditional publishing world.  Right now indie authors are setting the trends, and traditional publishers are playing catch-up.  But there’s a valid reason for it. It’s all about the cost of doing business. Traditional publishing companies like to make sure that their marketing money is being spent as efficiently as possible, therefore they limit their authors to a specific genre so that every dollar they spend can be focused on a single group of readers that’s very easy to find and identify and “speak" to. If an author were to write in several genres, that marketing money could be wasted, in that they’d be talking to the wrong people sometimes and they’d have to build up and attract a new audience for each genre. I’m sure they see it as re-inventing the wheel over and over. It’s true to say that reader-fans don’t always cross over and read other genres written by their favorite authors. Many of my readers have told me that they will read all the romance novels I write, but they won't touch the other genres that I write in; and, on the other hand, I have readers who will only read my fantasy or paranormal work and nothing else.  From a marketing dollar perspective, it's very expensive to have to build new audiences for each genre, but indie authors don't really worry about this kind of thing, in general. Indie authors write what excites them, write what they're interested in reading, or write what they think their readers are looking for. Indie authors are not limited by a company head above them telling them what they can and cannot do. Personally, I like to read in all these genres, and I also get bored writing in the same genre all the time.

DAB:  I second that.  It's nice as an indie to be able to write what we enjoy without all of those restrictions. You've mentioned many different genres in which you write, so that's got to translate to quite a few books.  How many total books written/published are you up to now?

EC:    I currently have 44 published works (this includes full-length novels, serials and short stories).

DAB:  In three/four years as an author?  That's incredible!  Have you found certain genres perform better than others?  If so, what’s your take on the reasons for this genre performance?

EC:    The romance genre performs better than any of the others because the market is so big and readers of romance tend to be very voracious. They read more books in a the year than any other genre reader, I’m convinced of that. A close second would be mystery/thriller readers, but that genre is more popular in the UK than the US. Lately, science fiction has started to jump, and I'm really excited about that. It's one of my favorite genres to watch on television and in the movies. My Drifters’ Alliance science fiction space opera has been really well-received.

DAB:  Uh, big fan here if I've yet to make that clear.  What project(s) are you currently pounding out that we might see later in 2016/2017 (please say DA4)?

EC:    Yes! DA 4, 5, and 6 actually—they’re coming next year. I have more War of the Fae coming this year. I also have a 4th book in the Bourbon Street Boys series in process right now. You can check my website for my full publishing schedule: http://www.ellecasey.com/publishing-schedule/.

DAB:  Okay, here's something I ask every interviewee who visits the blog, and I get some very interesting answers sometimes.  Are you a plotter or a pantser (i.e. to outline or not to outline, that is the question)?

EC:    I don’t use outlines to write; I’m a total Pantser. I’m never in control of my stories. Never ever. I just take dictation of what I see and hear them doing/saying in my head. My stories go wherever the characters take them. When I try to outline it ends up being a waste of time.

DAB:  I'm so glad to hear you say that!  I'm a Pantser as well, but most Plotters shake their finger at me and tell me they get a much higher output when they outline.  However, your reported word count output per day is astounding.  Tell us what word count you’ve been running lately, and advice you would give other authors on how to increase their daily volume.

EC:    It totally depends on how close the deadline is. If I set a short deadline, I can do as much as 10k a day for several days in a row. I can do more than that but it’s mentally exhausting and then I need a break. 5k a day is very reasonable for me. I would say that practice makes perfect. Getting into the swing of writing is like anything else; you have to do a lot of it before it starts feeling natural. I’ve also started doing dictation using a dictaphone and uploading to Dragon. That makes it much easier to hit my targets.

DAB:  Hmm, I might have to try that too.  To get all of this writing done, do you keep a regular writing schedule or do you write all hours of the day and night as the muse nags?

EC:    I have a schedule but it’s flexible. I write at all hours of the day and night depending on what else is going on in my life.

DAB:  Do you ever write to music or do you prefer silence?

EC:    I need either silence or white noise. Anything that can distract me, will! So anything with lyrics is out, anything I can hum to, etc.

DAB:  Uh-oh!  The writer's death knell.  That reminds me - I've read references on your site about what you call ‘squirrels’.  Care to explain this term to our audience and how to deal with these pesky critters that plague us as writers?

EC:    Squirrels are, quite simply, distractions. The reference comes from that movie Up where there's a talking dog who’s having a conversation with somebody and then stops and whips his head to the side and says, “Squirrel!” Most dogs are distracted by those little critters. And writers are distracted by Facebook, Twitter, email, laundry, spouses, kids, etc etc. The list of writing squirrels is endless and ignoring them is a daily battle.

DAB:  Which is why my desk is covered in notepads.  Squirrels are an insanity-inducing challenge some days.  Speaking of which, did your husband and children ever question your sanity when you told them you were going to quit your day job and write novels?

EC:    Never, because I think it had been pretty well established already that I wasn't sane in the first place. Haha. Ask anyone who loves me. . . they’ll tell you I’m a little crazy. My husband’s favorite line is: “Life with you is never boring.”

DAB:  Well, hey - if life got boring, what would you write about?  So that brings us to another big question.  You could've gone the traditional route and spent time writing and sending out queries to agents and publishers instead of taking such a big risk and publishing on your own.  What advice would you give someone considering traditional publishing versus self-publishing?

EC:    My advice to other people considering self-publishing is to absolutely jump in there and do it. Nobody's going to come knocking on your door asking you to write a book for them, but there are plenty of people out there who want to read what you have to write, I promise. And they’ll pay you for it! Also I wouldn't bother with the traditional publishing process because it takes so long, and the market is flooded with people doing that. Besides, you really don't need a gatekeeper between yourself and your readers. Let the readers decide if you're a good writer. Let the readers give you the very valuable feedback you will need in order to improve your skills; and then, after you've had some success as a writer to the real people who matter—  that is the readers —  go ahead and send a query letter out if you still feel the need. At least following this path you will have the confidence you need to push through the closed doors you’re apt to find. The most pleasing aspect of self-publishing for me has absolutely been the reader response to my work. I suspect that had I sent out query letters to agents, I would have run into a lot of closed doors. I never had to deal with that as an indie writer. I love being able to speak directly with my readers about my work and to share in their enthusiasm over it.

As I mentioned before, Elle was so gracious to answer every question I posed to her, I decided to break the interview up into two parts.  Stay tuned next week for some additional insight into the world of Elle Casey, self-publishing, and what it takes to become a bestselling author.

In the meantime, happy reading!

Wednesday, August 17, 2016

Love Space Opera? Try DRIFTERS' ALLIANCE

Have I got an intriguing series for you!

If you're into the whole sci-fi space opera genre (think Firefly, Star Trek, etc.) then you need to pick up Elle Casey's DRIFTERS' ALLIANCE series.  Thus far it's only three books, but more are on the way - and I can hardly wait.

Now onto the show.


Book Blurb:
One hand of cards and it's all over but the crying...

Cass Kennedy finally gets what she's been dreaming of for the past ten years: a drifter ship to call her own. All the sim time and battle training is going to pay off in spades as she sets her course for the future. She'll be living on her own terms, not those of her father.

But drifting through deep space with a crew of nutty strangers on the DS Anarchy carries a lot more surprises than she bargained for. Nobody told her that her ship is falling apart, that dead chickens are something you really want to hang on to, and that the OSG has big plans for the universe that don't necessarily jibe with her plans for herself.

Jump onboard with Cass and her crew as she charts a course toward an alliance that will either make her or break her as Captain of the DS Anarchy.

My Review:
Through a game of chance, Cass Kennedy has done the impossible - become captain of her very own drifter ship at the ripe age of nineteen.  Now she can explore the far reaches of dark space with her crew and escape farther from the clutches of the OSG - and her father, a major general of the Omega Systems Group elite command.

But the title of captain comes with its own set of challenges - and mutiny doesn't just happen on the Bounty.  Throw in a questionable stowaway, and Cass' maiden voyage at the helm of the DS Anarchy might just be her last.

Especially if she can't avoid the OSG's warships and those hunting her down for escaping their elite clutches three years ago.  Her only hope?  Become a member of a freedom alliance of other drifter ships.

DRIFTERS' ALLIANCE has a great cast of characters in the vein of that short-lived TV show Firefly.  Cass is no wilting flower and has a closet full of skeletons that threaten to expose her and the crew to the mighty and merciless hand of the OSG's ruling order.  But all crew members, both old and new, hide behind secrets of their own.  Each is drawn as unique, three-dimensional individuals which makes them feel like they could leap from the pages into the real world.

The action takes time to ramp up, but the characters drive the plot forward in the interim, which keeps the pace from bogging down and avoids devolving into a bunch of telling.  The reader is simply dropped into the characters' lives where they are without resorting to a bunch of world-building info dumps.  Instead the world-building is nicely interwoven into the storyline as it plays out.

Editing is smooth and clean, with only one tiny error I noticed in the entire story.  DRIFTERS' ALLIANCE is a quick and entertaining read, with each of the three episodes thus far at just around two hundred pages - and yes, I've already read all three books and am anxiously awaiting the next release.  Five stars from me.

Content Warning:  Strong language is sprinkled throughout, but it fits with the characters and the nature of the story.  Some mild sexual jokes but nothing you wouldn't hear in school or the office.  The following books in the series have some violence and blood with danger to the characters, but again not terribly graphic.

Books one through three can be purchased by clicking here on AMAZON, B&N, and anywhere else books are sold.

Author Bio:
ELLE CASEY, a former attorney and teacher, is a NEW YORK TIMES and USA TODAY bestselling American author who lives in France with her husband, three kids, and a number of furry friends. She has written books in several genres and publishes an average of one full-length novel per month.


Want to get an email when my next book is released? Sign up here: www.ElleCasey.com/news

Monday, February 4, 2013

Visit the Past to Save the Future with Robert G. Pielke

It's time to take a step back, travel through time to visit Gettysburg and the Civil War era in Robert G. Pielke's alternate-history, science-fiction novel, A New Birth of Freedom:  The Translator.  If you're a history buff like me, you need to hop on board the train as we leave the station.

Book Summary:
Noam Chomsky argues that communication with aliens would be impossible. Stephen Hawking argues that it would be extremely unwise even to try. What if it were absolutely necessary to do so? This question arises with extreme urgency at the Battle of Gettysburg in 1863, in this time-travel, alternate-history trilogy, A New Birth of Freedom.

My Review:
First off, I want to say that I enjoyed reading this second book in the trilogy.

It's July, 1863, and Edwin Blair is writing in his journal with a pale, pink fluid, unusual compared to a standard dark inkwell.  Mr. Blair has taken up residence in Gettysburg alongside key participants in President Lincoln's entourage.  Though his memories are mucked up and unclear, Mr. Blair has successfully convinced Lincoln that he is a time-traveler from three hundred years in the future.

His presence in the past?  Key to saving his future and the future of the entire earth from invading alien "Pests".  If only he could remember what he sent himself here to accomplish - and why he brought some of the hateful, murdering Pests with him.

Blair constantly suffers from horrific headaches and nightmares, clashing like a thunderbolt in his brain as changes to the past conflict with what he knows should be future events.  By all means, he knows he must avoid creating a cataclysmic paradox, thus endangering his own future existence.  Plus he cannot risk providing too much information about future events to Lincoln and his team - especially about one particular actor.  The minor clues he attempts to leave himself for future reference create chaos and suspicion from the Civil War participants, not to mention the ten-foot tall gathering of insectoids under close guard. 

More than anything, Blair wants to kill off the murdering invaders, but knows he cannot avoid a future that has already occurred.  Thus some must survive.  His best bet is to attempt communication with his prisoners via Indian sign language and drum signals.  However, communication is exhausting with little tangible information - until the right men show up for the job.

Again, overall A New Birth of Freedom:  The Translator  was an intriguing and enjoyable read for a history buff like me.  I enjoyed Mr. Pielke's portrayal of Lincoln, Pinkerton, and the rest of the historical characters, their quirks and mannerisms that made them very human instead of merely stiff caricatures.

However, I would have loved seeing more activity involving the historical events that were only referenced in the novel.  There was little action of any sort, only battles and skirmishes skimmed over in discussion among the characters after said events had reportedly occurred.  There was even a reference near the end of the book when Blair took Lincoln forward in time, but we didn't get to experience the build-up to it, merely a back discussion between Blair and Lincoln after the event. 

The majority of the story surrounded the constant headaches experienced by Blair and his internal musings about why he couldn't remember certain things.  I felt the novel could have been tightened up and a good portion of these repetitive musings deleted.  They just didn't propel the story forward but more bogged it down.

Also, not having read the first book in this series, there was no description of the Pests until about halfway through the book.  I suspected here and there that they were some sort of insect-type creature along the lines of a grasshopper about a third of the way through, but it would have helped tremendously to have had a description of them up front in this second book. 

Lastly, there was nothing that brought the events from the first book forward into the second book, the reasoning behind the trip back in time, why the Pests needed to accompany Blair to Gettysburg (or if they did so or that it was more that Blair followed them), etc.  This left me with a considerable lack of purpose to the fictional events that transpired.  I understand the ambiguity of Blair having trouble remembering certain things between his two-plus realms of consciousness, but it would have given more meaning to the story to at least have had him spend some of his musings trying to establish a semblance of purpose to this particular visit other than just the overarching idea of saving the world in his time.

My copy also contained numerous grammatical, transposition and punctuation errors, but this may have been cleaned up prior to the published work.  This isn't your standard science-fiction or thriller fare of battles and against-all-odds stakes, but it ended up being a nice read in relation to the history and the ramifications of time-travel paradoxes.  A read of the first book may clear up many of the questions and concerns contained herein.  Then "seeing" the historical characters portrayed as living, breathing human beings was quite enjoyable.  Therefore, I still recommend A New Birth of Freedom:  The Translator.

To read an excerpt, visit this link:  http://www.whiskeycreekpress.com/chapters/ANewBirthOfFreedom_RobertPielke.shtml

Follow the Tribute Books blog tour at
http://anewbirthoffreedom-thetranslator.blogspot.com/

Robert G. Pielke's Bio:
Robert Pielke, a native of Baltimore, Maryland, now lives in Claremont, California. He earned a B.A. in History at the University of Maryland, an M. Div. in Systematic Theology at the Lutheran Theological Seminary at Gettysburg, and a Ph.D. in Social Ethics from the Claremont Graduate School.

He taught on ground and online for countless years at George Mason University in Virginia, El Camino College in California and online for the University of Phoenix. Now happily retired from “the job,” he is doing what he always wanted to do since he wrote his first novel at ten in elementary school. It was one paragraph, three pages long and, although he didn’t know it at the time, it was alternate history.

His academic writings have been in the area of ethics, including a boring academic treatise called Critiquing Moral Arguments, logic, and popular culture. Included in the latter is an analysis of rock music entitled You Say You Want a Revolution: Rock Music in American Culture. He has also published short stories, feature articles, film and restaurant reviews. His novels include a savagely satirical novel on America and its foibles, proclivities and propensities, Hitler the Cat Goes West, and an alternate history, science fiction novel, The Mission.

Most recently, he has updated and revised his book on rock music, which is being republished by McFarland & Co.

He swims daily, skis occasionally, cooks as an avocation, watches innumerable movies, collects rock and roll concert films, is an avid devotee of Maryland crabs and maintains a rarely visited blog filled with his social and political ravings. His favorite film is the original Hairspray; his favorite song is “A Day in the Life”; his favorite pizza is from the original Ledo Restaurant in College Park, MD; and he is a firm believer in the efficacy of “sex, drugs and rock and roll.” Somehow his family and friends put up with him.  Visit his website at http://www.robertgpielke.com/

Prices/Formats: $16.95 paperback, $4.99 ebook
Pages: 394
ISBN: 9781611605426
Publisher: Whiskey Creek Press
Release: November 1, 2012

Amazon paperback buy link ($16.95):
http://www.amazon.com/dp/1611605423?tag=tributebooks-20

Whiskey Creek Press paperback buy link ($16.95):
http://www.whiskeycreekpress.com/store/index.php?main_page=product_info&products_id=1058&zenid=b7536170f2c9de1f7674533bcb734028

Kindle buy link ($4.99):
http://www.amazon.com/dp/B00A0BTCO4?tag=tributebooks-20

Nook buy link ($4.99):
http://www.barnesandnoble.com/w/a-new-birth-of-freedon-robert-g-pielke/1113729034?ean=2940015901757

Whiskey Creek Press ebook buy link ($4.99):
http://www.whiskeycreekpress.com/store/index.php?main_page=product_info&products_id=1058&zenid=b7536170f2c9de1f7674533bcb734028